Cultural Association Mediterranean
Circolo ARCI
via Neptune, 1
98070 Acquedolci (Me)
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Subject: Santomarco Nino Solo exhibition at the Maison des Cultures
next Sunday, March 6, 2011 will open the exhibition of the master Sant'Agata, Nino Santomarco at the House of Cultures. The opening ceremony will be held at the Council Hall of Acquedolci is ongoing in the collective AcquedolciCarnevalArte.
Show the painter's personal Nino Santomarco
place: House of Culture
Via Vittorio Emanuele II, 3 / 5
98070 Acquedolci (Me)
date: 6 to 31 March 2011
Opening hours: Daily from 16:00 to 20:00
For schools, by reservation, in the morning. Opening: Sunday, March 6, 2011 at 17:00
place: the Council Hall of Acquedolci (Me)
Nino Santomarco Contemporary Art is an accomplished artist. Painter, actor, set designer, freelance journalist, has worked with prestigious newspapers: Rai, Ansa, Gazzetta dello Sport, Giornale di Sicilia, the Hour. And 'the publisher and editor in chief of the cultural magazine "The Valdemone. It 'was the creator and promoter of the "Biennale of Art City of Sant'Agata Militello." He covered the office of Municipal Councillor for Cultural Heritage.
was recently appointed adviser to the administration of Sant'Agata Militello resurgent Pinacoteca Comunale. He lives and works in Sant'Agata Militello, where he was born in 1945.
work of Santomarco have written many critics. We cite just one, Vincenzo Consolo:
" live, or survive, memory, memory like sap that comes from the past, that nourishes us in the present, which makes us proceed in view of some light in the night the future.
In today's world, where the new plague is the loss of memory and identity, in huge mass graves which are the cities where s'ammassano same shapes from the heads full of straw men like Eliot cables, in this wasteland in this one, sleazy, electronic large village. The memory still saves us, makes us different, equal to ourselves, let us know where we come from, who we are and where we go. This need, this hunger of memory makes us look like camels in the desert oasis, as castaways, islands emerging here and there in the sea of \u200b\u200bindistinction as pitiful badilanti fragments, relics of historical and natural disasters.
Santomarco Nino is a painter living memory. That, in the contagion that has now touched our most remote districts and repaired, is seeking with patience and love what survives, what is true and there is still a distance.
Search, and catalog shows, with quell'appassionata care of that convent from the ravages of time saved precious scrolls in decay.
Search and relics depicting nature and landscape, fatigue, romances, ancient and noble gestures of that country world over just yesterday. And there's innocence, simplicity and innocence in what he does. A naivete or deliberate or instinctive, but dictated by the memory and respect for the sanctity of the relics. Because he found himself living his teenage years at the time of the Great Transformation: hence the longing for a past irremediable, anxious love for all that is remaining.
His primary colors are so bright and pure, its lines are faithful to that object. He does not interpret
portrays. But his portrait is playing the cold reality of certain painters, who sometimes compete with photography or deliberately calling to overturning of the metaphysical type, his portrait is both portray the reality and the memory type that is on the canvas whenever the emotion I felt the first time that he found it to look (and live in) this world. "
In today's world, where the new plague is the loss of memory and identity, in huge mass graves which are the cities where s'ammassano same shapes from the heads full of straw men like Eliot cables, in this wasteland in this one, sleazy, electronic large village. The memory still saves us, makes us different, equal to ourselves, let us know where we come from, who we are and where we go. This need, this hunger of memory makes us look like camels in the desert oasis, as castaways, islands emerging here and there in the sea of \u200b\u200bindistinction as pitiful badilanti fragments, relics of historical and natural disasters.
Santomarco Nino is a painter living memory. That, in the contagion that has now touched our most remote districts and repaired, is seeking with patience and love what survives, what is true and there is still a distance.
Search, and catalog shows, with quell'appassionata care of that convent from the ravages of time saved precious scrolls in decay.
Search and relics depicting nature and landscape, fatigue, romances, ancient and noble gestures of that country world over just yesterday. And there's innocence, simplicity and innocence in what he does. A naivete or deliberate or instinctive, but dictated by the memory and respect for the sanctity of the relics. Because he found himself living his teenage years at the time of the Great Transformation: hence the longing for a past irremediable, anxious love for all that is remaining.
His primary colors are so bright and pure, its lines are faithful to that object. He does not interpret
portrays. But his portrait is playing the cold reality of certain painters, who sometimes compete with photography or deliberately calling to overturning of the metaphysical type, his portrait is both portray the reality and the memory type that is on the canvas whenever the emotion I felt the first time that he found it to look (and live in) this world. "
Thanking you in advance for your attention.
Sincerely.
Farid Adly
ACM President
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